For over 10 years, she has explored notions of gender performativity, tradition, and historical oppression via conversations with these performers, then creates works out of those interactions. In tracing the history of gender roles in theatrical settings, she interrogates boundaries of performance, the physique, and normativity. In the Nineteen Forties, you might have discovered yeoseong gukgeuk performers—all-female drag opera troupes—all round sneak a peek at this site Korea. Confronting heteronormative traditions in theater, these performers would spend years embodying particular behaviors and speech patterns to encapsulate the fluidity of gender and androgyny. Unfortunately, this subculture was largely erased from Korean modern history after the militant and conservative administration of Park Chung-hee shut down such troupes in the Nineteen Sixties and ’70s.
These interactive timelines are used to graphically and logically illustrate the development of visible art. His most well-known works so far are towering sculptures of balloon animals; this one …