The Pen: A Human History, by Simon Garfield, is a curious and engaging exploration of an everyday item that has been neglected regardless of the major part it plays in how people exchange ideas. The author, known for his works on specific subjects such as British wrestling and mauve, turns his attention to the humble instrument, charting its evolution from ancient reed to modern Biro.
Garfield traces the history back to its Latin origins, penna, meaning ‘feather’. Early writing tools were made from reeds or quills, though later technical developments changed how people record words. The writer visits production facilities, pen fairs, and auction houses, even emailing Julian Barnes and Zooming Margaret Atwood in his quest for knowledge.
The author discusses the revered Montblanc ‘Meisterstück 149’ and the ubiquitous Bic ‘Four Colours’. Yet, he does not forget the lesser-known Bryan Donkin, who patented the steel-nibbed pen in 1808 but is better known for his cannery invention.
The book culminates in a reflection on the pen’s meaning in the era of laptops and Apple Pencils. Luxury pen companies are focusing on expensive, custom editions named after famous writers. He even finds amusement in Montegrappa’s ‘Chaos’, created by Sylvester Stallone, but remains optimistic about the future of the instrument.
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Despite the digital age, the writer sees a continued appreciation for the physical act of writing. The pen, with its tangible ink and personal touch, still symbolizes commitment and possibility. The author finishes the work at a busy trade fair, where the enduring significance of the object is evident.
Writing remains a human necessity.
Peter Watts is the author of ‘Denmark Street: London’s Street of Sound’ (Paradise Road). Find it in our Bookshop A version of this article appears in the September 2026 issue of ‘The World of Interiors’. Learn about our subscription offers Sign up for our bi-weekly newsletter, and be the first to receive exclusive stories like this one, direct to your inbox
